Showing posts with label Links and Resources. Show all posts
Showing posts with label Links and Resources. Show all posts

Tuesday, December 16, 2008

Character Evolution and Christmas Tree Program

Aravis Girl has an interesting post about The Evolution of a Story.

In her post, she describes how her her characters evolve as she writes. Sometimes, it is in the interest of the story, but other times it's because she gets to know the characters better.

I've had the same thing happen--to the point where I end up changing the entire story because the character is leading me.
And, sometimes, my protag evolves into an entire new character.

Does this happen to you?

One of the things I enjoy doing before and during writing a story, is to continually develop my characters. I fill out a character questionnaire or two and watch the world for interesting quirks, hobbies, habits, obsessions, mannerisms, etc. to apply to my characters to help develop them. When I'm in the middle of writing story, even when I'm not actually writing, my mind is always acutely aware of my story and its characters. So, when I notice something in a person in real life or on television, for example, I will directly realize that the trait I see belongs to my character. Sometimes these traits seem to come out of the blue.

I believe a well-developed character (both in the story and behind the scenes) will lead herself in a story. The reader should never be surprised (I am not referring to plot surprises here) in how the protag responds to or avoids things (and, yes, I know there are many exceptions).

Here are some interesting articles on character evolution and how to make your character interesting without becoming a two-dimensional cliched stereotype:

J. J. Dare discusses how to keep character from becoming charicatures by using the Character Police.

How to Develop Interesting Characters discusses the need to show how the character grows and reacts to elements of the plot and story.

How to Develop a Character gives tips on developing characters and how or when to reveal these characteristics.

How to Develop Your Characters focuses on goals, obstacles, arcs, and traits.

How to Develop One-of-a-Kind Characters for your Fiction goes more in-depth by suggesting to create a resume, shopping list, journal, and more from the viewpoint of your character.

Holly Lisle's Create a Character Clinic. Very comprehensive. It just doesn't get any better than this.

Got any good character building links to share?



On a different note, for all of you programming geeks: here is a funny program for Putting up the Christmas Tree.

Friday, July 27, 2007

A few more words from Murray Suid

Nienke,

I truly enjoyed guest blogging on THE WRITING LIFE the other day. Afterward, I found myself wishing that I could thank all those inventors who have given us this new medium for sharing our ideas and our lives. To my way of thinking, the net is close to a miracle.


Technology has long interested me. In fact, my current book project deals with engineering marvels. I’m having such fun learning about processes such as Backward Planning (huh?) and Failure Analysis. (I have lots of personal examples to draw upon.)


Back to the blog that I posted here: I want to thank the participants for their thought-provoking questions and comments. I came away enriched.


In the blog I explained that WORDS OF A FEATHER got published thanks to an agent who was looking for a funny word book. I should have mentioned the agent’s name—Carol Roth—and her website www.authorsbest.com. Carol specializes in nonfiction. Who knows? Perhaps she can be of use to some of the talented writers who frequent THE WRITING LIFE. That would be a nice denouement, which word—I can’t help but point out—relates etymologically to noose.


Murray

Monday, July 23, 2007

Guest blogger, Murray Suid on curiosity and words

Thanks, Nienke, for your thoughtful announcement of my visit. You made me feel welcome at your remarkable website.


I’m the kind of writer who likes a distraction. Could be the smell of coffee in the other room, or a “dump your microwave oven” urban myth that plops onto my desktop. No surprise, therefore, that as I began typing this piece about words origins, I allowed my attention to be drawn to your Tip of the Day: “Always take the attitude of a learner in your writing and be open to new insights from any source.” I hope it won’t seem that I’m malingering if I comment on this sage advice before I get down to business.


In the 1990s, I enrolled in UCLA’s screenwriting program. At age 51 I thought I knew everything about cranking out scripts. I just wanted to meet producers so I could sell my work. But in my first class I discovered how much I had to learn about story structure. That humbling experience confirms the wisdom of your tip about being curious.


Now about words: In high school, I could take the study of etymology or leave it. Actually, I was more into leaving it. But as the years passed, I gradually became intrigued by word histories. I even began collecting doublets: word pairs that at first seem unrelated and yet are etymological kissing cousins. Examples include: anger & angina, automobile & mob, chaos & gasoline, computer & reputation, flatulence & inflation, candid & candidate. And my favorite: rectitude & rectum.


Such pairs—“words of a feather”— inspired me to write mini essays for my own amusement, especially when I had a pressing deadline. Take, for “excrement & secret”:


“Three may keep a secret, “wrote Ben Franklin, “if two of them are dead.” Ben’s witty observation points to the etymology of secret, which traces to the Latin se meaning “apart” and cretus meaning “separate.” A “secret” is knowledge kept apart from others. Hence, a secretary’s first function is to guard the boss’s private information. (Apparently, a few secretaries working for the British royal family never got the message.)


But what has this to do with excrement? Here’s the poop: The ex is Latin for “out” and the cre goes back to our old friend cretus, “separate.” Thus excrement refers to something “separated out.” Although in this case we’re not talking about information, it’s still a private matter, definitely hush hush.


If you want a loftier example, consider: “cosmos & cosmetics”:


The ancient Greeks named the universe kosmos, meaning “order.” Their belief that order is the key to beauty gave rise to the related word kosmetikos: the art of creating personal beauty.


The English version—cosmetics—developed around the time Isaac Newton published his theory about the orderly forces binding the cosmos.


Ironically, in this same period, the anti-adornment crowd made an effort to enact laws criminalizing the use of cosmetics for the purpose of seducing innocent victims into matrimony.


I had no plans for publishing these stories until an agent called saying that she knew an editor who was looking for a humorous word book. Did I have anything? Absolutely, only most of it was gathering digital dust on old computers. Six months later, Words of a Feather was published, which seems weird to me because I’ve spent years unsuccessfully peddling some of my manuscripts, and here came a contract out of the blue. The lesson? Even if you’re not an environmentalist, do not send your old computers to the landfill.


Lest I give the impression that etymology is merely an entertainment, let me end with a serious point. Sometimes when I’m writing, I’ll find myself staring at a word that, while I’ve used it my whole life, now seems unfamiliar.


If I look up the word’s etymology, I often have an epiphany. Here’s an example. Recently I was finishing a hilarious (don’t I hope) coming-of-age story. I viewed my protagonist Dan as a hero although he doesn’t see himself capable of accomplishing heroic deeds. Indeed, through most of the book, he wants to run away.


One day,—like Dan—I was avoiding my destiny and looking out the window rather than typing the story. The thought occurred to me that maybe Dan wasn’t a hero. Worse, I felt that I no longer even knew what a hero was. I could give the dictionary definition, but I had no emotional connection.

Curious, I looked up the etymology of hero at my favorite online etymology source (www.etymonline.com), and I discovered that hero traces back to an ancient Indo-European word meaning “protector.” Bingo! In a scene that I knew was coming, Dan has the chance to protect his town—spiritually speaking. (I admit, that doesn’t sound funny, but trust me: the moment in the story is both spiritual and funny. Or don’t trust me; buy the book when it comes out… if it comes out.)


What I’m suggesting is that if you find yourself in a word crisis, or if you simply wish to understand more deeply writing terms such as character, sentence, dialogue, climax or destiny, take a journey into etymologyland.


I used etymology today while writing this essay. I wasn’t sure that the piece would work out and that worried me. But then I learned that essay comes from the French word essai meaning “try” or “attempt.” This I have done.


Thanks for reading. And if wish, please ask me questions. But note: question relates etymologically to inquisition. So go easy.

Tuesday, June 12, 2007

Blog posts to check out...

Lilith Saintcrow gives The Five Rules of Plotting over at The Midnight Hour.

The Plot Monkeys have posted Part Two of their AGENT SERIES. Part One is here.

The Unknown Screenwriter posts about Exposure Therapy for your characters. Unk has a great series on The Transformational Character Arc. Go browse if you haven't already.

Jenny Crusie and Bob Mayer talk about tightening the plot over at their 2007 Writing Workshop. Another great sight to browse if you haven't already. It's a year-long workshop, updated twice weekly, on the craft of writing a novel.

Ian Hocking shares 10 Writing Beliefs.

Velcro City has more writing tips.

How To Write a Novel. Seriously? Okay, then. Hop to it.

Tuesday, May 29, 2007

Just Do It

Image courtesy of Writing Time, a site for beginning writers that offers inspiration to fire up your creativity, exercises to jumpstart your writing, and guidelines to help you craft your creative writing, whether you're interested in writing an essay, a poem, a short story or a novel.

I challenge you to give me 3 words to inspire...

Friday, May 18, 2007

Fun stuff to do

Some fun stuff to do that might help your muse or craft along… or just help pass the time of day.

Play with words
http://www.golivewire.com/magnets/

Take some personality tests
http://testdex.com/personality_tests.html

One sentence stories
http://www.onesentence.org/

Very Short Stories
http://www.wired.com/wired/archive/14.11/sixwords.html

Have a read about arts and letters
http://www.aldaily.com

Create a story with Myths & Legends Story Creator
http://myths.e2bn.net/story_creator_beta/

Take some (free) courses to improve your writing
http://www.newsu.org/

Monday, April 30, 2007

Thinking blogger award

Thanks to Rene, for awarding me the 'thinking blogger award.'

Now, I must choose 5 other sites that make me think. A tough one!
Since Rene has already received this honor, I will pick 5 others. I will also pick bloggers who I think will pass on the honor.

1. The Mimosa Effect 2
It's fun to follow along Desert Rat's journey of writing. DR is motivated and shares great insights on writing, poetry, life and kitty-cats. Definitely makes me think.

2. Quantum Storytelling
Redchurch can outthink us all. I just love reading his concepts and theories. Never a dull post (sometimes they're over my head - but never dull!).

3. Dr. Bill's Harley Wisdom
As a writer of romance, or any genre for that matter, I believe it's important to understand how humans interact in relationships. Well, Dr. Bill's site is the place to learn about that! He explores love and relationships to a deep level that can help writers understand why their heroines and heroes do what they do.

4. Writer Unboxed
This site has probably already been honored with this award, but I have to include them in my list. Aside from colloquial updates and insights from contributors, this site offers some incredible author interviews!

5. Write Now Is Good
I enjoy following kg's posts. Lot's of helpful information - especially her current weekly feature on organization for writers!

Fine Print:
For those of you I have selected, here's what to do next.
1. If you get were tagged, write a post with links to 5 blogs that make you think.
2. Link to this post so that people can easily find the exact origin of the meme.
3. Optional: Proudly display the 'Thinking Blogger Award' with a link to the post that you wrote.


It's really hard to pick just 5 blogs that make me think. I suggest you follow the links backwards (from the first link of the original awarder) to find many more wonderful and thought-provoking blogs.

What are some of your favorite blogs and why?

Tuesday, April 03, 2007

Foolin' around

I'm an April Fool. April Fools is a writing challenge not unlike NaNoWriMo except that you set your own goal. Mine's 15,000 words for the month of April. 500 words a day, and I'm behind already. LOL

Just finished reading Gods In Alabama by Joshilyn Jackson. It's a gem. Joshilyn has a fresh voice and the story line is unique and engrossing. She has a way of making the reader root for a vulnerable character. I'm so glad her next book is out, Between, Georgia, because I crave to read more from her. I read an exerpt of the first chapter and it looks great too.

Desert Rat made a good point in the comments of my last post. Time to start focusing on reasons to write, not excuses not to. Thx DR.

Have you read any great books lately?

Thursday, March 15, 2007

I, uh, write fiction

Rene had an interesting post about her secret identity—being a writer—the other day. She came up with some good reasons why writers might avoid telling people about their writing. At the same time, she understands why people might not take her writing seriously, “because they have no idea how important it is to me.” She says, “I can't expect people to appreciate my being a writer until I appreciate it myself.”

I suppose I’m lucky in that I write for a living, so I have no issue with calling myself a writer. However, I do hold back about my fiction writing except to those closest to me. I remember how I hated telling people I was a waitress back in the days. I’d tell them I was in “public service.” So, when the opportunity came up to call myself anything but, I took it. Now I’m working on the novelist part.

Chrys, in her post ‘Own It,’ talks about how calling herself a writer was a freeing experience. She says, “You ARE a writer. Don't dismiss it. Don't shove it under the rug. Own it. Because it's who you are. No matter if you publish or not. No matter if no one but you ever reads your work. You. Are. A. Writer. OWN IT!” (God luv ya Chrys)

LINKS
I should add that I have no problem calling myself a linker so, true to form, I’ve come up with some links to help us declare our truth!

Mark Pettus, of The Bluff, had a good post, Strike three. Are you out?, last year.

Judy Reeves says, “Until your call yourself a writer, you will never be a writer who writes—and keeps writing!” In the article, an excerpt from her book, Writing Alone, Writing Together, she says,

How do you claim yourself as writer? First, say it. “I'm a writer.” Say it out
loud. Say it to yourself in the mirror. Say it to your friends and family. Say
it to the next person you meet at a party who asks, “What do you do?” Say it to
a stranger in line at the grocery store. Say it to your mother. Mostly, say it
to yourself: “I'm a writer.”

What Makes You Think You Can Write? by Debra Koontz Traverso discusses the top ten doubts writers have.

Becoming a Writer Is Not a Choice by Beth Mende Conny talks about why we must write. (By the way, this site has more awesome articles.)

Liz Strauss, in her blog post, Are You a Writer? 7 Traits that Writers Have in Common, has a list you can check yourself against. A couple items from the list:

  • Writers often start out feeling like an imposter. The message we’re told is that the writing is strong and compelling, or well on its way, but we think the messenger could be mistaken.
  • Every writer is in a self-actualizing process. Writing is an apprenticeship. A writer is always becoming a writer.
  • Nothing in life can prepare you to be a writer, except everything in your life.

What advice would you give to writers who don’t ‘own it’ yet?

Friday, March 09, 2007

Well hello Lajos

Perhaps I live in a vacuum but, I, writing article addict, had not heard of Lajos Egri before yesterday. I stumbled across Notes on Lajos Egri’s Art of Creative Writing on Dark Cloud Press' website. Incredible.

Egri has some fundamental beliefs about creative writing which include:

"Every type of creative writing depends on the credibility of a character. Whatever a character does or says, he does or says for only two reasons:
1. To create sympathy for himself.
2. To show how important he is."

Every story needs a premise. "The premise is the seed from which the story grows. It is a thumbnail synopsis of the story you want to write."

"Desire is a mild word for the strongest motivation there is. Self-preservation is the second."

"Insecurity is the basic law of existence. All human emotions, good or evil, without exception, spring from this one eternal source."

"To create an original story, pick one individual with and outstanding trait. This person may embody all other virtues in existence, but they have one trait that makes them loveable or intolerable to live with. This character will totally possess one trait – one trait that is 100%. A compulsive trait. If you’re writing about a self-centered man, don’t make him just a little self-centered. Make his universe revolve around him alone."

Lots more. Go read the notes. I'm going to buy the book.

Wednesday, February 21, 2007

On using dialogue

As a follow-up to my post about dialogue tags, I thought I would offer some links on how to write dialogue. What I found interesting in my research is that what characters say is important, but so is what they don't say. In addition, body language is a very important part of communication -- which lends itself well to avoiding the use of tags.

When writing dialogue, remember this:
Studies have shown that, in a face-to-face interaction, 58 percent of communication is through body language, 35 percent through how it was said, and a mere seven percent through the content of the message.
In addition, how well do your characters listen? Do they always understand the true meaning behind what's being said? Dialogue, and the interaction that surrounds it, can be a great tool to show your character's goals and characteristics as well as a tool to help you manipulate your story.

Here are some links:
Holly Lisle's Dialogue Workshop
Dialogue Tips
Special Tips On Dialogue For The Romance Writer
How To Improve Your Dialogue
Dialogue: The best action
Dazzling Dialogue Tips
Writing Dialogue - Part One
Writing Dialogue - Part Two
Writing Good Dialogue
Ten Tips for Writing Dialogue
Punctuating Dialogue
Writers' Toolkit - Dialogue
Writing Effective Dialogue
"Good Dialogue," the Editor Said.
Tension In Dialogue
12 Exercises for Improving Dialogue

Friday, February 09, 2007

Friday's Excuse Not To Write


Reprinted with permission from 101 Excuses Not to Write.

What do you do to keep yourself motivated with your writing?

And, since you're not writing, why not check out online writing magazine, Vision?

Wednesday, February 07, 2007

Humpday Hunk

Sean Patrick Flanery
Powder is one of my favorite movies. But, really folks, can this be the same guy that played Powder??? To boot, he's credited with more than 66 shows and films! No actor's block there.

Speaking of blockages, check out this post on hacks for writing.

Friday, January 26, 2007

Isn't it romantic?

Understanding human behavior - especially how it relates to love and romance - is important for the romance novelist. Here are some links so you can avoid real writing...

"Romance novels also can provide opportunities for learning about adult loving relationships," says Dr. Bill Emener on his blog, Dr. Bill's Harley Wisdom. Emener has been a licensed psychologist for 33 years and is the author of self-help book Adult Loving Relationships, and romance novels Fear of Feeling Loved and My Sweetpea: Seven Years and Seven Days.

In his post, Emener talks about three distinct stages of adult loving relationships and how they relate to real life as well as romance novels. Check it out.

John Bowlby believed psychoanalytic view that early experiences in childhood have an important influence on development and behavior later in life. Our early attachment styles are established in childhood through the infant/caregiver relationship. In addition to this, Bowlby believed that attachment had an evolutionary component; it aids in survival. He devoted extensive research to the concept of attachment and came up with his own theory, which you can find here. Click here for more on Bowlby's Attachment Theory.

The people we're most attracted to are those who have a blueprint that complements our own. We're looking for similarities of experience but, more significantly, we're also looking for differences. Read more about the Unconscious Fit.

How to be romantic.

Romance 101 includes articles on Manhood, Murphys Laws On Sex, and Intimacy (short, but makes a good point for writers).

What about you? Got any tips on romance?

Thursday, January 18, 2007

Inner Conflict

So, I’ve done some research to try and understand the concept of inner conflict a little better. My main issue was whether or not you could – or should – have inner conflict independently of external conflict. It seems the two are more intertwined than I thought. Which, BTW, will make writing a little easier for me.

The Ottawa-Carlton District School Board English 4U Student Handbook says, “Inner conflict refers to emotional or analytical struggles a character has due to his values, his role in society, or the company he finds himself with. For example, Willy Loman cannot emotionally ignore his failure as a breadwinner, failure as a faithful husband, and his failure to bring up decent sons.”

Redchurch says, “The best advice I've read says that where you can, try to link the inner conflict with the external and interpersonal conflicts.” He also says, “Someone being forced to compromise their values of honesty is an inner conflict. But, it is externalized if they are forced to confront a corrupt police force, for example. Their inner conflict is smacking right up against something going on in the world. If it's just their inner conflict by itself, it's not as powerful as when some external factor or force creates conflict based around the character's inner values.”

Mary Casanova says, “We all struggle. We carry around inner conflict in the private places of our hearts where we search for our identity; we struggle with ego, pride, and jealousy; we cry out for love and yearn to be heard; and we try to listen to the small, still voice of God. The heart is a place of darkness and light, often in conflict with itself. It is from the heart that conflict originates and resolution emerges, and in the heart that change and personal growth occur.”

Caro Clarke says, “Conflict is opposing desires, mismatches, uncertainty, deadlines, pressures, incompatible goals, uneasiness, tension. We are all caught up in some of these conflicts every day. And, so should your characters. A convincing story has many conflicts built into it, layered and connected. The first layer is inside your characters. Once you know what these are, you can use them to make the conflicts between the characters more convincing and interesting.

“A character's inner conflict is not just being in two minds about something, not just being torn between obvious incompatibles (“I want to be a priest, and yet I love her”) but is about being in a new situation where old attitudes and habits war with and hinder the need for change. For instance, a man who drives himself to succeed because he doesn't want to be like his happy-go-lucky father is suddenly confronted with a situation where he isn't winning. Or an executive discovers that her ambition to be vice president of her company is being thwarted by her own self-doubt. This war inside each of your characters makes them act and react in complex ways.

“You show these internal conflicts not by means of internal dialogue (which is a cop-out and is dull), but by showing your characters responding to their own inner compulsions. She, for instance, decides to confront her own self-doubts by taking on a no-win project where the local people are opposing a development. She is determined to be hard-nosed, prove she's vice-president material. He is always confrontational, fearing that one minute of negotiation would be the first step to becoming a wimp like his father. You have a grade-A opposites-attract situation here, yet it is believable because we understand why each of them is acting the way they do, why they are foolishly stubborn, by it's important for each of them to win.

“A character's inner conflict can be between what he thinks he wants and what he really wants… Conflict must always be resolved, and every layer you create needs its closure. A satisfying and economical way of achieving this is to use one big knot to close two or more conflicts together in the same action or in a double whammy, where one leads ineluctably to the next.”

Finally, Michael Hauge says, “WHAT IS YOUR HERO'S DESIRE? What compelling goal does your hero HAVE to accomplish by the end of the movie, and why does he desperately want that? The answer to these questions will define your story concept, propel the plot forward, give the reader a specific outcome to root for and lead you deeper into the inner motivations of your character.

“WHAT TERRIFIES YOUR HERO? On the plot level, this question will force you to determine which obstacles the hero must face to achieve his objective -- what's at stake for him, what's he up against and which conflicts will give the story its necessary emotion? And on the level of character growth and theme, your hero's emotional fear will reveal his inner conflict: the wounds from his past, the identity he clings to, the risks he is desperate to avoid and the arc the story will lead him through as he finds his necessary emotional courage.”

Thanks everyone, for your comments, which basically said: “Just write already!” So, off I go.

Image courtesy of Magdalene Gluszek.

Thursday, January 11, 2007

a lotta linky fun

IMHO, these are worth checking out...

Storybase.net
The Paris Review - Interviews
Novel in 90 Days (LiveJournal group)
Whole Writing (redchurch - I think you'll like this one)
Angela Booth's Top Ten Writing Tips To Help You To Write More
POWER POPP! - dedicated to helping people realize their dreams. Success lies in wait for those who plan, organize, pursue, and persist.
Poynter Online Ten Paradoxes of the Writing Life

Okay, that's enough. Get back to work.

Wednesday, November 15, 2006

Cool site

I had some problems using this in IE, but Firefox worked without a glitch.

Visual Thesaurus.

How cool is that?

Thursday, November 02, 2006

The two elements of writing

I was listening to an interview with Doug Lyle, author of Murder and Mayhem: A Doctor Answers Medical and Forensic Questions for Mystery Writers, on Writers on Writing and he had some interesting advice for writers.

He said there are two elements to writing a novel: the art and the craft. The art is the storytelling and the craft is the structure of the writing. It's important to get the story told, then go back and worry about the structure. To me, that's what NaNo is all about, getting the story told - because I get so caught up in the structure element I never finish the art part.

How's everyone doing so far for word count? I'm a little behind, but I've dedicated a 4 1/2 hour train trip to Montreal tomorrow to writing.